Skip to main content

Spinning Out


A photograph of a new mum, squinting into the sun, shadows hiding her face, shrouded. Standing beside her, stationed on either side, a girl and a boy, aged 6 and 5.

They are all in front of a Hills Hoist.

Nappies flap, flannel sails fluttering over their heads, catching the November wind. The new baby’s head is bent into his mother’s shoulder.

It has been thirty seven years since our home had been sold. Here I was, standing outside it on a Sunday, taking photographs of my bedroom window from the park next door.

‘That’s quite a view,’ the man said, fresh from tennis at the club.

‘I used to live there,’ I said. Or did I say ‘I used to live here’ or ‘I grew up here’: is that what I said?

‘You should go and knock on the door, and ask to go in’ he prodded, but as he got in his car, I thought, nah, I wouldn’t.

Gum tree branches moving on the gravel, the sight of the owner moving in the garden.

‘I used to live here.’ Yes, I said it. ‘I grew up here.’

He watched me from across the property boundary. He owned it now. I glanced up at my bedroom window.

’Would you like to come in and see it?’ he said, and my legs went weak as I crossed the property line.

We walked around the side path, where the wisteria used to bloom. ‘The wisteria...’ I said.

’Yes, yes’ he encouraged me, ‘it still comes.’

‘Each October…’ I’m speaking out loud.

We pass the kitchen window. The garden is planted in glossy garden beds, the lawns gone, but there it is.

The Hills Hoist.

‘Is this the same one that was there?’ I ask.

‘Yes.’

My hand reaches out for the handle. Hold onto it. Can I touch it? I can’t touch it. I say out loud:

‘I might have to take a photo of that.’ But, in fact, I don’t. I’m in awe.

I’m misplaced and reinstated and out of place and recreated. Head spinning like the flannel sails, woolly and muddled, I stumble deeper into the garden. Later, I regret that I didn’t capture the metal marker in a photo.

Hills Hoist land, Camberwell (c) Robert Sublet

But I did get to see my old bedroom, bathed in dreamy, creamy light, my initial scratched into the top right window pane: ‘A.’ The wooden roof, boat-like, just under the sky, tossed atop my old house, with the same old view from my bedroom window.

My bedroom window (c) Anna Sublet, 2018



(c) Anna Sublet, 2018
















Comments

Popular posts from this blog

A morning too early, a morning too late

Sensing  the  future It was our last morning in New York City. It was a morning too early to be leaving, and as it turned out, a morning too late. Dad was on his final lap of life, and we were making a dash home to cheer him along as he hit the home straight .  I went down to breakfast with a heavy heart. The bar was buzzing. Halloween scenes were already playing out in the streets. A kind waiter asked me 'have you got your costume sorted for tonight?' To which I stumbled, 'no...I I I have to go home. My dad's sick...' and began to cry. The dear boy was shocked, 'Oh, I'm so sooorreeee. Do you wanna hug?' I could barely breathe. NO, I managed. I ate cereal alone, and had grapefruit juice. Dad loved grapefruit. I packed the last of my things, and stumbled out through the lobby, past glamorous girls in fabulous costumes. Mark had already run off to explore the neighbourhood after checking out of the hotel early. It didn't seem...

Coming of Age

The bricks were always cold underneath my bum. Cold and hard. I could feel their sharp edges. In the nights we sat and talked, my brother and I and the neighbourhood boys. The smells of sour smoke and saliva on one, body odour on another, and menace on the other. The fluorescent globes hummed from the train station platform across the road, and the street lights pooled at the corner. Inside was out of bounds to these boys, so we met on our side stairs. The frosted glass door between us and our home. These were the kids we didn’t trust, the boys from the wrong side of the tracks. Where were their parents? Absent fathers, unsighted mothers, these boys roamed the streets and set me on edge. The attraction to the dirt, to the smell of one’s mouth...I can still feel it now. It was an urge, but not an infatuation.  The hearts of these boys remained hidden. It was as if they walked in costumes, played their parts, and kept their distance. One day, my mum greeted me at...

Shadow of the Oaks

As soon as I saw it, I wished I hadn't. There was something deadly ominous about the darkened room. Bare wood floors, panelled wood walls, slices of weak light coming in through the long, autumnal windows. Funereal. I could hardly process it.  A sign. The room was empty, the service cancelled, the food and drink all dried up. Finished.  It was our last day in New York, and we had returned to the Oak Room at The Plaza to toast Dad with a negroni. At this stage, when we knew he was fading, e ach negroni seemed like a communion .  The Plaza was one of the places him and mum had honeymooned. The last time we'd been in NYC, with kids in tow, we had blown a couple of hundred dollars on fancy burgers and lemonades for the kids, and champagne and wine with dinner for us. Spending mum and dad's trip gift money.  That was nearly 5 years earlier. We had taken our girl to look for Eloise , the little literary inhabitant of the Plaza...